Canon EOS 5D Mark IV Full Frame Digital SLR Camera with EF 24-105mm f/4L IS II USM Lens Kit (Renewed) : Electronics
4.2 4.2 out of 5 stars
60 ratings
Price: | $2,509.00$2,509.00 |
Style:
24-105mm
Color:
Black
Set:
Base
The product is refurbished, fully functional, and in excellent condition.
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Brand | Canon |
Model Name | EOS 5D Mark IV |
Form Factor | DSLR |
Effective Still Resolution | 30.4 MP |
Special Feature | Travel Charger |
Optical Zoom | 1 x |
Color | Black |
Connectivity Technology | Wi-Fi, NFC |
Screen Size | 3. 2 Inches |
Photo Sensor Size | Full Frame (35mm) |
Note: Products with electrical plugs are designed for use in the US. Outlets and voltage differ internationally and this product may require an adapter or converter for use in your destination. Please check compatibility before purchasing.
We Review the Canon 5D Mark IV in 2023: Still the Best Professional DSLR
This camera was released a whopping seven years ago. Being the last-of-the-line DSLR for Canon, it is still the best 5D camera they will ever make. While there are photographers switching from DSLR to mirrorless, the 5D Mark IV is still being sold to photographers worldwide. Let’s review this camera and see how good it is in 2023.
Introduction
I won’t lie, I did not buy this camera upon its release in 2016. Back in those days, I was nothing more than a kid shooting on my dad’s film camera. I bought my 5D Mark IV in 2020, right after a series of good jobs, and right before covid. This might be one of the worst business decisions I made, frankly. Nonetheless, having used the camera for three years almost every day, I have developed a liking for it, and I am now happy that I bought it. In fact, I shot so much on it that I had to bring it in for a shutter replacement and a few other repairs already. In this review, we will see what the 5D Mark IV is capable of seven years down the road, very much in the mirrorless era.
Because the 5D Mark IV has been reviewed so many times by so many users, I will focus less on the specs and more on the user experience with it. However, here is a quick spec sheet in case that’s what you’re after.
- 30.4-megapixel full frame CMOS sensor
- DIGIC 6+ image processor
- 3.2″ 1.62-million-dot touchscreen LCD monitor
- DCI 4K video at 30 fps with 8.8-megapixel still grabs
- 61-point high-density reticular AF
- Native ISO 32,000, expanded to ISO 102.400
- Dual pixel raw
- Dual pixel CMOS AF and movie servo AF
- 7 fps bursts
- CF and SD card slots
- Built-in GPS and Wi-Fi with NFC
Now, let’s talk about some of the biggest benefits of using a Canon 5D Mark IV in 2023.
Sensor Quality
The 5D Mark IV has an awesome 30.4-megapixel full frame CMOS sensor. It is a departure from the 5D Mark III, which many users appreciated back then as well as now. However, what good is a high-resolution sensor without bit depth and dynamic range to match it? Fortunately, the Canon 5D Mark IV is good at those as well: 24.8-bit color depth and 13.6 EVF dynamic range. I have no problem bringing out shadow detail or shooting underexposed or overexposed. As long as the camera is set to raw, you can almost forget that something is over- or underexposed. I have a tendency to shoot slightly overexposed; however, in post-production, the image is brought back to normal to fix skin tones.
Another big pro of the Canon 5D Mark IV is the ISO range. It goes from ISO 100-32,000. The highest usable setting for me will be ISO 12,800. If you’re going higher than that, you’re either doing something very wrong, shooting in the dark, or perhaps doing astrophotography. I’ve shot my late event work on it and never once had a client comment that the images are too grainy. If anything, I like adding grain in post-production to make them more textured and provide that extra film-like appearance. Image-wise, the Canon 5D Mark IV sensor is awesome, and you will not have any problems producing 99% of your work on it. The requirements to produce high-level campaigns have not changed for the past 10 years. You could probably even make do with a 21-megapixel Canon 5D Mark II, but without significant cropping.
Focusing
While not as good as Canon’s flagship models, focusing on the 5D Mark IV isn’t bad either. The live view focus is decent; however, I rarely use it due to my shooting style. The autofocus system will be not nearly as good as the ones in modern cameras; however, it is not unusable. The 5D Mark IV’s focusing system takes its roots in the older Canon 1D X model, with improved facial recognition and tracking. Focusing depends on your lens as well as your camera. I tend to find the Canon 5D Mark IV to be adequately suited for portrait, fashion, and beauty work. It is nowhere nearly as bad as the one on Canon 5Ds. When I know that the subject I will shoot will be fast-moving, I always switch to the 5D Mark IV.
Long-term Reliability
This is a big one for me as well as other photographers who don’t like upgrading cameras all that often. Investing in a piece of gear as expensive as a camera should be a long-term plan, not a short-term endeavor. Therefore, I would like to talk about the long-term reliability of the Canon 5D Mark IV.
I had this camera break on set, and it was somewhat below the 150k shutter threshold. This initially led me to somewhat question the reliability of the camera. Then again, I bought it used, which is always a gamble. Perhaps the previous owner wasn’t as cautious with it, or perhaps I was too reckless — the latter being more probable. In any case, having repaired this camera, it’s back on set and working more than ever. I’ve dropped it plenty of times, slammed the bottom against the tripod base, and had water splash all over it. I really can confirm that this is a workhorse or a camera, and it will serve you for years without fail. Then again, if it does fail, just replace the shutter and you’ve got yourself a new camera. Another thing I will add is battery reliability. My battery manufacture date says 2016, and I still am able to squeeze 800 shots from the camera. Rarely, if ever, do I worry about not having enough battery power to last me a day of continuous shooting.
Obvious Drawbacks
The camera has its drawbacks, though. One of the most obvious ones is that it is a DSLR, which is deemed by today’s marketing standards to be outdated technology. The video, while usable, is far from the best available. The 4K on it is frankly very disappointing, and I rarely use it for video work. So, if you are a videographer, this camera is not for you. The LCD on the back does not articulate, which can be a problem for those of us who prefer live view shooting.
Closing Thoughts
If you are on the fence between getting a 5D Mark IV and a mirrorless camera, I say go for the 5D Mark IV. Don’t worry about it being old technology; instead, worry about the skill you have. The EOS series will be around for the next few decades, if not more. Just like you can still find all the FD lenses from the 70s, you will be able to find all the EF lenses well past 2050. As for me, I am not sure when I will upgrade, but definitely not for a while. I have more problems with the images I am making than with the tools I do it with.
Canon EOS 5D Mark IV – Cameras
Canon EOS 5D Mark IV – Cameras – Canon Europe
DSLR
Whatever the shooting conditions, you can rely on the robust construction and versatility of this camera.
Perfect performance. The perfect frame.
The EOS 5D Mark IV’s thoughtful design and powerful features are suitable for any shooting situation.
View full specification list
The difference is in the details
From the moment the light hits the lens, the EOS 5D Mark IV retains all the characteristics, colors and details. Once again Canon impresses with the level of image detail, thanks to the use of a new sensor that delivers unparalleled image clarity. The world as you have never seen it
Additional information
Consistent Precision
The EOS 5D Mark IV’s advanced focusing and metering features let you capture the moment and capture it even in difficult lighting conditions.
More information
Built to perform flawlessly
Iconic camera models are built to last, and to work hard. The EOS 5D series cameras offer rugged construction, high performance and enhanced weather protection 1 . Cameras for a new generation of photographers. The EOS 5D Mark IV maintains a tradition of fast, reliable performance.
Additional information
Discover the power and versatility of Canon’s 4K products
Capture the cinematic quality of 4K video
Unleash your videographer talent and expand your portfolio with creative 4K EOS videos.
Additional information
Canon Photo Companion App
The perfect partner for any photo story maker, the Photo Companion app gives you access to curated content and expert advice to help you bring stories to life.
Find out more
High definition
4K video
stay in touch
Connect and share files with ease using the blazing fast USB 3.0, Wi-Fi and NFC connection.
Additional information
Canon aims to achieve net zero CO2 emissions from its operations by 2050
We will achieve this by reducing CO2 emissions over the life cycle of a product by an average of 3% per year. By following this plan, emissions will be reduced by 50% by 2030 compared to 2008. We understand that this initiative must be in line with the rate of decline stipulated in the Paris Agreement.
We will continue to look at the targets from a long-term perspective to measure our contribution to a carbon-neutral society.
Learn more
Multiple dynamic ranges…
Camera
EOS 5D Mark IV
EOS 5D Mark III
Effective pixels
Approx. 30.4 megapixels
Approx. 22.3 megapixels
Dual Pixel RAW
Image fine-tuning, bokeh shift, ghosting reduction
N/A
AF points at f/8
Up to 61 points / 21 cross-type AF points (all individually selectable)
1 AF point
Metering sensor
Approx. 150,000-pixel metering sensor with infrared detection (special DIGIC 6 processor)
63-zone metering sensor (measures brightness only)
Continuous shooting
Max: approx. 7 fps with full tracking AF/AE
Max: Approx. 4.3 fps in Live View with Servo AF
Max: Approx. 6 fps with full tracking AF/AE
Max: Approx. 6 frames/sec Live View Non-Tracking Focus (Servo AF)
EOS 4K Movie
DCI 4K up to 25/30p (max. 29 min 59 sec)
N/A
Other movie formats
Full HD up to 5 0/60p HD up to 100/120p
HDR movie, time-lapse movie
Full HD up to 25/30p, 640×480 up to 50/60p
Video AF
Dual Pixel CMOS AF
Contrast detection AF (without Servo AF)
LCD screen
3.2 -inch, approx. 1.62 M dots, touch control
3.2-inch, approx. 1.04M points, non-touch
GPS
Built-in with automatic time update
External accessory
Wi-Fi
Integrated FTP/FTPS
Compatible with Canon Camera Connect app
External accessory
Inspiration
See how professional photographers use the EOS 5D Mark IV
Find out more
Photo examples
Lenses and accessories
Expand your EOS 5D Mark IV with Canon lenses and accessories.
Find out more
Contents of delivery
Canon EOS 5D Mark IV
Battery LP-E6N eyepiece Eg
Wide strap
Interface cable IFC-150U II
Cable protector
EOS Digital Solution Disk
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DSLR lenses
EF 85mm f/1 .2L II USM
Legendary top quality portrait lens
More details
-
Lenses for digital SLR cameras
EF 50mm f/1.2L USM
Professional L-series USM lens with f/1.2 aperture for low-light shooting with excellent depth of field control.
-
DSLR lenses
EF 300mm f/2.8L IS II USM
Professional L-series super telephoto sports lens with f/2.8 wide aperture and Image Stabilizer.
-
DSLR lenses
EF 11-24mm f/4L USM
A professional L-series ultra-wide-angle zoom lens with a constant f/4 aperture suitable for architectural and landscape photography.
Battery Grip Canon BG-E20
Connect the battery grip to a compatible EOS camera for extended battery life and a more comfortable grip
Flash Canon Speedlite 430EX III-RT
Portable, powerful Speedlite flash that is equally easy to use with or without the camera
Flash Canon Speedlite 600EX II-RT
High performance Speedlite flash for professional photographers
SanDisk Extreme PRO CompactFlash 160MB/s 64GB Memory Card
Store and transfer high-resolution photos and 4K videos with fast write speeds and large storage capacities
Protective Cloth Canon PC-E1
Protect your EOS camera and lenses from daily wear and tear with this protective fabric.
Speedlite Transmitter Canon ST-E3-RT
Radio control is for professional photographers using off-camera flash
Canon ERC-E5L Large Rain Cover
A water-repellent rain cover that will protect your compatible EOS camera and lens when shooting in bad weather
Canon EOS 5D Mark IV
Ratings & Reviews
Download drivers, software, firmware and manuals.
Notes
1. Compartment covers, connector covers, and other exposed parts must be securely closed to keep out dust and moisture. However, this protection cannot completely prevent dust and water droplets from entering the camera.
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Specifications and Features – Canon EOS 5D Mark IV
Specifications and Features – Canon EOS 5D Mark IV – Canon Kazakhstan
Image Sensor
-
Type
36 x 24 mm CMOS
-
Effective pixels
Approx. 30.4 megapixels
-
Total pixels
Approx. 31.7 megapixels
-
Aspect Ratio
-
Low Pass Filter
Built-in/Fixed
-
Image Sensor Cleaning
B built-in cleaning system EOS
-
Color filter type
Basic colors
Image processor
-
Type
9Focal length
Equivalent to 1. 0x lens focal length
Focus
-
Type
TTL secondary imaging phase difference detection system with dedicated AF sensor
-
AF system/points
61 points / max. 41 cross-type AF points including 5 dual-cross-type AF points at f/2.8 and 61 points / 21 cross-type AF points at f/8 1
The number of cross-type AF points varies by lens. -
AF Working Range
EV -3 – 18 (at 23°C & ISO100)
-
AF Modes
Single Frame
AI Focus
Tracking AF -
AF point selection
Auto selection: all 61 AF points (depending on EOS iTR AF setting)
Manual selection: Single point AF (selectable from 61, 15, 9 points or only cross-type points)
Manual selection: Center point AF
Manual setting: 4 point AF point expansion (up, down, left, right)
Manual setting: Surrounding 8 point AF point expansion
Manual selection: Area AF (all AF points divided into 9 focus areas)
Manual selection: Large area AF (all AF points divided into 3 focus areas)
Focus points can be selected separately for vertical and horizontal shooting modes -
Selected AF point display
Transparent LCD screen in viewfinder and display on Quick Control screen
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AF lock
Locked when the shutter button is pressed halfway or the AF ON button in One-Shot AF mode. Uses a flexible button set to disable AF in AI Servo mode
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AF-assist beam
With compatible optional Speedlites
-
Manual focus
Turned on the lens e
-
Fine-tune AF
Manual: enter desired setting +/- 20 steps (zoom setting from wide to tele)
Set all lenses to the same value
Customize up to 40 lenses
Store lens settings by serial numbers
Exposure control
-
Metering modes
Approx. 150,000-pixel infrared sensing metering sensor, 252-zone metering. EOS 9 Object Mining System0299 (1) Evaluative metering (linked to any AF point)
(2) Partial metering (approx. 6.1% of viewfinder area at center)
(3) Spot metering: Center spot metering (approx. 1.3% of viewfinder area) center)
AF point not metered
(4) Center-weighted metering -
Brightness metering range
EV 0-20 (at 23°C, ISO100, with evaluative metering)
- 9 0002 AE lock
Auto: Available in One-Shot AF with evaluative metering, AE lock is activated when focus is achieved
Manual: Activated when the AE lock button is pressed in P, Av, Tv, and M modes -
Exposure Compensation
+/- 5 EV in 1/3 or 1/2 steps (can be combined with Auto Bracketing (AEB)).
-
AE Bracketing (AEB)
+/- 3 EV in 1/3 or 1/2 stops
-
Flicker reduction
Yes. Flicker detection at 100Hz or 120Hz. Maximum continuous shooting speed may be reduced
-
ISO sensitivity
Auto 100 – 32000 (in 1/3 stops or whole stop)
ISO sensitivity can be expanded to L: 50, h2: 51200, h3: 102400, 90 033 2
Shutter
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Type
Electronic focal plane shutter
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Shutter speed
30–1/8000 s (in 1/2 or 1/3 stop increments), Bulb (Full shutter speed range – BULB mode The available range depends on the shooting mode).
-
Shutter Release
Magnetic Soft Touch Shutter
White Balance
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Type
Auto WB with Image Sensor
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Settings
Auto WB (Ambient light priority/White priority), Daylight, Shade, Cloudy, Incandescent, Fluorescent, Flash, Custom, Color temperature
White balance compensation:
1. Blue/Amber +/-9
2. Magenta/Green +/-9 -
Custom white balance
Yes, one setting can be registered
-
White balance bracketing
+/-3 stops in one-stop increments
3, 2, 5 or 7 bracketed images per shutter release
Selectable blue/amber shift or magenta/green shift. Approx. 100% -
Magnification
Approx. 0.71x 3
-
Remote eyepiece
Approx. 21 mm (from eyepiece lens center)
-
Diopter adjustment
-3 to 1 m -1 (diopters)
-
Focusing screen
90 002 Fixed, transparent LCD with information overlay
-
Mirror
Quick release translucent mirror
-
Viewfinder information
AF information: Single/Spot AF points, AF frame, AF status, AF indicator, AF mode, AF point selection, AF point registration
Exposure information: Shutter speed, Aperture, ISO speed (always visible), AE lock, exposure level/compensation, exposure metering, spot metering circle, exposure warnings, AEB value, metering mode, shooting mode
Flash info: Flash-ready, High speed sync, Flash exposure lock, Flash exposure compensation, Red-eye reduction lamp
Image info: Memory card info, Maximum burst (2-digit display), Highlight priority (D+), JPEG/RAW indicator, Dual Pixel RAW, digital lens optimizer.
Composition: grid, electronic level
Other information: battery monitor, warning symbol, flicker detection, drive mode, white balance -
Depth preview
Yes, with depth of field preview button. 8.10 cm (3.2″), approx. 1620k dots
-
Coverage
Approx 100%
-
Viewing angle (horizontal/vertical)
Approx. 170° vertical and horizontal
-
Coating
Anti-glare, stain resistant. Tempered glass used
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Brightness adjustment
Manual mode: seven levels can be selected
Color tone adjustment: 4 settings -
Touch screen operation
playback functions and enlarged display. AF point selection in Live View and movie shooting, touch shooting is available in Live View when shooting still images.
-
Information Display
(1) Quick Control Screen
(2) Camera Settings
(3) Dual Axis Electronic Level
(4) Custom Quick Control Screen
Flash
-
Modes
Auto Mode E -TTL II, manual metering
-
X-sync
1/200 s
-
Flash exposure compensation
+/- 3 EV in 1/3-stop increments with EX-series Speedlites
-
Flash exposure bracketing
Yes, with compatible external flash
-
Flash exposure lock
-
Second curtain sync
-
Hot shoe/PC connector
Yes / Yes
-
External flash compatible
E-TTL II with EX-series Speedlites, wireless multi-flash control
-
External flash control
From camera menu
Shooting
-
Modes
Scene Intelligent Auto, Program AE, Shutter priority AE , Aperture-priority AE, Manual (Stills and Movies), Bulb and Custom (x3)
-
Picture Styles
Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Fine, Monochrome, Custom (x3)
-
Color Space
sRGB and Adobe RGB
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Image Processing 90 003
Highlight tone priority
Brightness auto-correction ( Auto Lighting Optimizer) (4 settings)
Long exposure noise reduction
High ISO noise reduction (4 settings)
Lens optical correction 4 :
– Peripheral Illumination Correction, Chromatic Aberration Correction (during or after still image shooting, only during movie shooting)
– Distortion Correction, Diffraction Correction, Digital Lens Optimizer (during or after still image shooting)
Resize to M, S1 , S2 or S3 5
Crop: JPEG images can be cropped (aspect ratio 3:2, 4:3, 16:9, 1:1)
– 45 crop sizes to choose from: 11% to 95% (diagonal) )
– switching between vertical and horizontal cropping orientation
– crop frame can be moved using the touch screen
RAW image processing 6
Multiple exposure -
Drive modes
Single, Continuous H, Continuous L, Silent Single, Silent Continuous , Self-timer (2 sec+remote control, 10 sec+remote)
-
Burst
Max. Approx. 7 fps with full AF/AE tracking, speed is maintained up to an unlimited number of JPEG images or 21 RAW 9 images0033 7 8 9
Max. 4.3 fps in Live View with AF tracking -
Interval timer
Built-in, selectable number of shots from 1–99 or unlimited (Timing range: 1 sec. to 99 h 59 min 59 s). Bulb timer available (time interval range: 1 sec to 99 h 59 min 59 s)
Live View
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Type
Electronic viewfinder with image sensor
-
Coverage
Approx. 100% (horizontal and vertical)
-
Frame rate
29.97 fps (can be zoomed when using AF)
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Focus
Manual focus (Magnify image 5x or 10x from any point on the screen)
Autofocus: Dual Pixel CMOS AF (face detection and AF tracking, FlexiZone – Single, FlexiZone – Multi), available with all EF lenses and Touch Shutter -
Metering
Real-time evaluative metering with image sensor (315 areas)
Partial metering (Approx. 6.3% of Live View screen)
Spot metering (Approx. 2.7% of Live View screen)
Center -weighted average metering
Active metering timer metering can be changed -
Information display
4 levels are available when the information button is pressed: no information, basic shooting information, advanced shooting information and advanced shooting information with histogram
Multiple exposure status is also available in multiple exposure mode
File types – still images
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Still picture format
JPEG: 3 compressions
RAW: RAW, M-RAW, S-RAW and Dual Pixel RAW (14-bit, original Canon RAW v2)
Exif 2.30 and Design rule for Camera File system 2.0 compatible
Digital print order format [DPOF] version 1.1 compatible -
RAW+JPEG 9 simultaneous recording0003
Yes, any RAW + JPEG combinations, separate recording of different formats on different cards, including Dual Pixel Raw + JPEG
-
Image size
JPEG:
Parties 3: 2 (L) 6720×4480, (M1) 4464×2976 , (S1) 3360×2240, (S2) 1696×1280, (S3) 640×480
Aspect Ratio 4:3 (L) 5952×4480, (M1) 3968×2976, (S1) 2976×2240, (S2) 1920×1280, (S3) 720×480
Aspect Ratio 16: 9 (L) 6720×3776, (M1) 4464×2512, (S1) 3360×1888, (S2) 19RAW:
( RAW) 6720×4480, (M-RAW) 5040×3360, (S-RAW) 3360×2240 -
Folders
New folders can be created and selected manually
-
File numbering
(1) Sequential numbering
(2) Auto reset
(3) Manual reset
EOS Movie
-
Video file format
Movie MOV: 4K (17:9) 4096 x 2160 – Motion JPEG (internal recording only) 10 , Full HD, HD – MPEG4 AVC / H. 264 variable (medium) bit rate; Audio: Linear PCM
MP4 video: Full HD (16:9) 1920 x 1080 – MPEG4 AVC/H.264; Audio: AAC -
Movie file sizes
4K (17:9) 4096 x 2160 (29.97, 25, 24, 23.98 fps) Motion JPEG
Full HD (16:9) 1920 x 1080 (59.94, 50, 29.97, 25, 23.98 fps) with intra frame or inter frame compression
Full HD (16:9) 1920 x 1080 HDR (29.97, 25fps) interframe compression
Full HD (16:9) 1920 x 1080 (29.97, 25) with slight interframe compression
HD (16:9) 1280 x 720 (119.9, 100 fps) intraframe -
Color sampling scheme (internal recording)
4K – YCbCr4:2:2 (8bit)
Full HD/HD – YCbCr4:2:0 (8bit) -
Movie recording time
4K and Full HD – max. duration 29 min 59 sec. (except for high frame rate videos). No file size limit up to 4 GB when using exFAT CF and exFAT SDXC memory cards over 128 GB.
-
High frame rate video
MOV video: HD – 1280 x 720 at 100 fps or 119. 9 fps.
Recorded as slow motion video at 1/4 of original speed
Maximum duration of one scene up to 7 min 29 sec. -
4K frame capture function
8.8 megapixel JPEG image capture from 4K movie available
-
Bit rate / Mbps
MOV:
4K .97p/25.00p/24.00p/ 23.98p): Approx. 500 Mbps
Full HD (59.94p/50.00p)/ALL-I: Approx. 180 Mbps
Full HD (59.94p/50.00p)/IPB: Approx. 60 Mbps
Full HD (29.97p/25.00p/24.00p/23.98p)/ALL-I: Approx. 90 Mbps
Full HD (29.97p/25.00p/24.00p/23.98p)/IPB (Standard): Approx. 30 Mbps
HD (119.9p/100.0p)/ALL-I: Approx. 160 Mbps
MP4:
Full HD (59.94p/50.00p)/IPB (Standard): Approx. 60 Mbps
Full HD (29.97p/25.00p/24.00p/23.98p)/IPB (Standard): Approx. 30 Mbps
Full HD (29.97p/25.00p)/IPB (Light): Approx. 12 Mbps -
Microphone
Built-in monaural microphone (48 kHz, 16 bit x 2 ch)
-
HDMI image transmission
External monitor only, external monitor only with no information displayed, or simultaneous display on camera and external monitor
-
HDMI output
Full HD recording only; uncompressed YCbCr 4:2:2, 8-bit; HDMI audio output also possible
-
Focus
Dual Pixel CMOS AF system (face detection and AF tracking),
Shooting movies with Servo AF
Manual focus -
ISO
4K – Auto: 100-12800, H: 25600, H: 32000, h2: 51200, h3: 102400,
Full HD / HD – Auto: 10 0–25600, H: 32000, h2: 51200, h3:102400
Built-in GPS receiver
-
Geodata
Latitude, longitude, height, coordinated universal time
- 900 02 Positioning modes
Mode 1: The camera continues to receive GPS signals at regular intervals when the power is turned off
Mode 2: GPS is turned off when the power is turned off -
Position Accuracy
Approx. up to 30 m/98.4 ft (when GPS satellite reception is good on a clear day and there are no signal obstructions)
-
Compatible navigation satellite systems
- GPS satellites (USA)
- GLONASS satellites (Russia)
- Michibiki Quasi-Zenith Satellite System (Japan)
-
Event log file format
NMEA format. One log file per day
-
Using log files
Move log data to a memory card and copy it to a computer
Use Map Utility to add log files to images -
Digital compass
Other functions
-
User functions
17 user functions with 46 settings
-
LCD Panel / Backlight
Yes / Yes
-
Waterproof / Dustproof
-
Voice Memo
Yes, via paid upgrade – Up to 30 seconds per image – 48 kHz/16 bit or 8 kHz /8bit
-
Intelligent Orientation Sensor
-
Playback Zoom
1. 5x-10x in 15 steps
-
Display formats
(1) Single image
(2) Single image with information (2 levels)
Basic shooting information (shutter speed, aperture, ISO and image quality)
Detailed shooting information (shutter speed, aperture, ISO , metering, image quality and file size), lens information, brightness and RGB histogram, white balance, Picture Style, color space and noise reduction, optical lens correction, GPS information
(3) Index of 4 images
(4) Index of 9 pictures
(5) Index of 36 pictures
(6) Index of 100 pictures
(7) Jump mode (1, 10 or 100 frames, Date, Folder, Movie, Photo, Protected pictures, Rating)
(8) Movie Editing
(9) RAW Processing
(10) Rating -
Slideshow
Image Selection: All, By Date, By Folder, Movie, Photo, Protected Image or Rating
Playback Time: 1 /2/3/5/10 or 20 seconds
Repeat: On/Off -
Histogram
Brightness: Yes
RGB: Yes -
Highlight Extraction
-
Image Erase
900 02 Single image, selected, folder, card
-
Image erasure protection
Image erasure protection single image, folder or card
-
Self-timer
2 or 10 s
-
Menu languages
25 languages
English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukrainian, Turkish, Arabic , Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese -
Firmware update
User can update by themselves (camera lens, WFT, external Speedlite)
901 84
Metadata tag
User copyright information (can be set in the camera)
Image rating (0-5 stars)
IPTC data (registered with EOS Utility)
Image transfer with signature (signature registered with EOS Utility)
Interface
-
Computer
SuperSpeed USB 3. 0
-
Wi-Fi
Wireless LAN (IEEE802.1 1b/g/n), (2.4GHz only), NFC-enabled 11 Supported Functions FTP/FTPS, EOS Utility, Smartphone, Network Upload, Wireless Print
-
Others
HDMI Mini Out (Type C, CEC compliant), External Mic In/Line In (3.5mm stereo jack), headphone jack (3.5 mm stereo jack), N3 type jack (remote control jack)
Direct Print
-
PictBridge
Yes (Wireless LAN only)
Storage
- 9018 4
Type
1x CompactFlash Type I (UDMA 7 compatible) (Not compatible with Type II and Microdrive )
1x SD/SDHC/SDXC and UHS-I
Supported operating systems
-
PC and Macintosh
Windows 7 (except Starter Edition) Windows 8 and Windows 10
OS X v10.7-10.11
Software
-
Image processing
Digital Photo Professional 4.5 or later (RAW image processing)
- 9 0002 Other
EOS Utility 3. 5 or later (including including remote shooting function), Picture Style Editor, Map Utility, EOS Lens Registration Tool, EOS Web Service Registration Tool, Canon Camera Connect app (iOS/Android)
Power supply
-
Batteries
Li-ion battery LP-E6N (included) / LP-E6
-
Battery life
Approx. 900 shots (at 23°C) 12
Approx. 850 (at 0°C) -
Battery indicator
6 levels + percentage
-
Energy saver
Auto power off after 1, 2, 4, 8, 15 or 30 minutes
-
Power supplies and chargers
Battery charger LC-E6E (included), charger LC-E6, AC adapter AC- E6N and DR-E6 DC coupler, ACK-E6N/ACK-E6 AC adapter, CBC-E6 car charger
Accessories
-
Viewfinder
Eyecups Eg, Eg diopter adjustment lenses with rubber frame mi Eg, anti-fog eyecup Eg, angled viewfinder C
-
Wireless File Transmitter
Wireless File Transmitter WFT-E7B
-
Lenses
All EF lenses (except EF-S / EF-M lenses)
-
Flash
Canon Speedlites (90EX, 220EX , 270EX, 270EX II, 320EX, 380EX, 420EX, 430EX, 430EX II, 430EX III, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, 600EX-II-RT Lite MR-14EX II, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT)
-
Remote control/switch
Remote control with N3 contact, Wireless remote control LC-5 and Speedlite 600EX-II-RT
-
Others
Battery pack BG-E2 0, hand strap E2, Connect Station CS100
All data is based on Canon’s standard test methods unless otherwise noted.
Subject to change without notice.
- Number of AF points, cross-type points, and double cross-type points vary by lens model
- Recommended exposure
- With 50mm lens at infinity, -1 m-1 diopter
- Not possible with M-RAW and S-RAW
- Cannot resize frames captured from 4K movies and photos taken at S3 quality
- RAW image processing during image playback for RAW and Dual Pixel RAW 9 only0187
- Resolution Large/Fine
- Based on Canon testing conditions: JPEG, ISO 100, Standard Picture Style. The maximum speed and buffer capacity may be reduced depending on the camera settings, lighting level, subject, memory card manufacturer and capacity, image-recording quality, ISO speed, drive mode, Picture Style, Custom Functions, etc.
- Values shown when used with Compact flash UDMA 7
- Minimum card write speed required to shoot in 4K at 30p: CF UDMA 7 – 100 MB/s, SD UHS-1 – 90 MB/s or higher
- Wi-Fi usage may be restricted in some areas countries and regions
- Viewfinder shooting.