Best canon video cameras: The best Canon cameras for shooting video

The best Canon cameras for shooting video

The best Canon cameras for shooting video – Canon Europe

KIT

From the full-featured EOS R5 C to the compact EOS M50 Mark II, Canon experts and filmmakers explore the best mirrorless cameras for video.

With its 6K ProRes RAW recording capabilities, upgraded Dual Pixel CMOS AF, triple-action

image stabilisation and compact design, the

Canon EOS R6 Mark II is one of a range of Canon hybrid cameras selected by professional filmmakers as being the best for shooting video.

Which are the best Canon cameras for video? Shooting video used to require a dedicated cine camera, but all the models in the current Canon EOS and PowerShot ranges can now shoot high-quality movies as well as top-notch stills. Consequently, more photographers are discovering how easy it is to enhance their storytelling with great video, while videographers are finding new ways to shoot more creative footage with mirrorless and compact cameras as B-cams.

Here we look at the best Canon cameras to use for shooting different types of video, calling on the expertise of Mike Burnhill, John Maurice and Aron Randhawa, product specialists at Canon Europe, as well as the experiences of Canon shooters.

“There is a lot to think about when you’re selecting a camera, but the first consideration should be how you intend to use the video,” says Mike. “For instance, the 8K capabilities of the Canon EOS R5 C and EOS R5 may grab your attention, but it’s important to remember that this will affect your file storage and computer processing requirements. In fact, if you’re only planning to produce short video clips for social media, 4K video may be more than enough. However, shooting in high resolution brings scope for cropping down to Full HD to create alternative framing in processing, which means you only need to shoot everything once.

“If you’re an experienced videographer, the ability to shoot in Canon Log is also very appealing because it produces files that are perfect for post-capture grading and can be matched in with clips from other cameras, including the Cinema EOS range,” Mike continues. “But if you’re just getting started, or you need to work quickly, you may be more interested in what the camera produces with an in-camera Picture Style.”

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For those filmmakers who require the most flexibility for grading and editing, RAW video is also offered by a number of hybrid EOS cameras. The Canon EOS R6 Mark II is capable of recording 6K 60p ProRes RAW externally, for example. The successor to the Canon EOS R6 also offers a host of cinema-level functions, including 1/6-speed slow motion and electronic focus breathing correction, in a body that’s equally adept at shooting stills.

With these points in mind, here are the best Canon cameras for video, whether you’re a stills photographer looking to branch out into moving images, a filmmaker or videographer looking for a second camera, or new to shooting films.

The Canon EOS R5 C has the same 8K sensor as the EOS R5, but includes a host of additional features for filmmakers. “You can shoot 8K 30p internally (60p with an external power supply), plus you have a wealth of recording formats such as the robust XF-AVC format, and three new flavours of 12-bit Cinema RAW Light: LT (Light), ST (Standard) and HQ (High Quality),” explains Aron.

1. Best camera for experienced videographers: Canon EOS R5 C

“The Canon EOS R5 C is a video-focused version of the EOS R5, with added features specifically for professional filmmaking,” explains Aron. “The ergonomics are similar, but with its built-in fan, the EOS R5 C can record for long durations no matter what mode you are in. And being a dedicated cinema camera, there’s no limit on recording time.”

The EOS R5 C has a three-way power switch to choose between photo/video mode. Video mode boasts a host of options not usually seen in mirrorless cameras: you can import your own LUTs; set your shutter angle to 180°; and take advantage of waveform monitors and false colour tools. A front tally lamp indicates recording and the timecode in/out terminal is particularly useful for synchronising multiple cameras at once. In addition, attaching TASCAM’s CA-XLR2d Audio XLR Adapter to the Multi-function accessory shoe gives you XLR input options.

Canon EOS R5 C

The first hybrid Cinema EOS camera with 8K. A nimble and powerful product for video-first hybrid shooters.

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Travel filmmaker Kevin Clerc took the EOS R5 C on a shoot in Madeira, and says it felt ready to go straight out of the box. “I travel a lot, so I really appreciate how light and discreet the EOS R5 C is. But for me, the best feature is the switch to go between photo and video modes. Video mode unlocks different features, so you really feel as if you have two cameras in your hand. I now don’t need another stills camera on time-lapse shoots.

“In-camera waveform has proven so reliable for accurate exposure and was particularly helpful on my travels when it wasn’t possible to use an external monitor. I also use manual focus and having the option to mount Canon Cine lenses via the Canon Mount Adapter EF-EOS R has been an incredible experience.”

The Canon EOS R3 provides excellent image quality. “You’ve got 4K 60p which is oversampled from 6K, for glorious high-detailed 4K footage,” says Mike. “There’s 12-bit RAW to get the most out of the dynamic range, Canon Log 3, as well as HDR PQ standards for a wider dynamic range, without needing to grade your footage. Ultimately, it enables you to shoot video in bright conditions with dark shadows and still capture all of the tones.”

2. Best camera for video shoots in tough conditions: Canon EOS R3

There is a reason the EOS R3 is Canon’s flagship mirrorless camera. The ideal solution in difficult lighting or weather conditions, on lengthy shoots or when working with tricky subjects, it’s not just reliable and robust, but also lightning fast. Like its flagship DSLR counterpart, the Canon EOS-1D X Mark III, the EOS R3 is as tough as they come.

“The EOS R3 is weather-sealed and can withstand harsh environments – rain, snow and sand,” explains Mike. “It has a large battery, which allows it to work in colder conditions and shoot for longer. Likewise, it can shoot for long periods of time in high temperatures without overheating. You can also power by USB to run the camera via a powerbank and charge remotely. Focusing is down to -4EV for video, and you still get the same face tracking and vehicle tracking modes that you get in stills, even in dull, dark conditions.”

Canon EOS R3

Brimming with features that empower filmmakers to new levels of creativity, the EOS R3 can capture oversampled 4K as well as 6K RAW footage internally to a CFexpress card.

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With its advanced autofocus capabilities, which can not only detect and track vehicles and animals, but also faces and eyes – even behind masks – the Canon EOS R3 ensures both stills and videos are always in sharp focus.

The

Canon EOS R5’s Dual Pixel CMOS AF II system with Face/Eye Detection ensures your footage stays sharp and enables impressive pull-focus transitions in all video modes.

3. Best camera for hybrid shooting: Canon EOS R5

The Canon EOS R5, like the other EOS R System cameras, is built around Canon’s groundbreaking RF mount, but thanks to a range of EOS R Adapters, it is fully compatible with Canon EF or EF-S lenses.

Muhammed Muheisen is a photojournalist who has twice won a Pulitzer Prize, and is currently based in Greece. Muhammed used to shoot with two Canon EOS 5D Mark IV cameras, one set up for stills and the other for video. He had reservations about switching to the Canon EOS R5 but says he has adapted quickly. “It’s two cameras in one,” he explains. “The 8K capability is a revolution – I can shoot video and extract 35MP images.”

Canon EOS R5

Capture superb 12-bit RAW video internally at 8K, or record 4K (4:2:2 10-bit) at frame rates up to 120p for exceptional slow-motion effects.

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Muhammed also appreciates the camera’s small size, which means he can work without drawing attention to himself. “The camera doesn’t intimidate anyone, so I can shoot unnoticed. It makes my life easier and there’s no sacrifice in image quality.”

“Shooting in 8K gives lots of scope for post-capture cropping of video and stills,” adds Mike. “Alternatively, you can use 4K HQ mode to create 4K footage with incredible detail.”

Firmware updates have introduced new features to the EOS R5. “For example, you can now record 8K 30p ProRes RAW when paired with an Atomos Ninja V+ Monitor & Recorder,” explains Mike. “Switching from an internal to external recorder unleashes unlimited 8K recording – essentially until the battery runs out or the card fills up – and allows the system to run cooler, whatever the ambient temperature.”

At the heart of the Canon EOS R6 Mark II is a DIGIC X processor that’s more power efficient than the one in its predecessor. This enables the camera to stay cooler for extended periods, making it an excellent choice for documentaries, live events and other situations which require long duration recording.

The Full HD 180p frame rate of the Canon EOS R6 Mark II opens up new creative opportunities. “You can interweave the slow motion with footage shot at a normal frame rate for artistic results,” says John. “We tend to think of this sort of performance being reserved for high-end cinema cameras, but now it’s possible to achieve this with a hybrid EOS R System camera.”

4. Best camera for solo shooters: Canon EOS R6 Mark II

With extra-wide dynamic range thanks to Canon Log 3, full-width 4K 60p video that’s oversampled from 6K, and class-leading Full HD 1/6-speed slow motion video recording at 180fps, the Canon EOS R6 Mark II is a powerful filmmaking tool.

The EOS R6 Mark II features a range of technology upgrades that make this hybrid camera a particularly good option for solo shooters. Take the enhanced Dual Pixel CMOS AF, for example, which can recognise more subjects and automatically track them with greater precision. Professional Cinema EOS-like focusing functions have also been added, such as Detect only AF, which prevents the camera from refocusing if the subject leaves the shot, and electronic focus breathing correction that gives lower cost lenses the smooth look of high-end cinema lenses when pulling focus.

Canon EOS R6 Mark II

Stills or video, action or portrait – the EOS R6 Mark II’s blend of performance and image quality lets your creativity thrive.

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Other benefits for self-shooting filmmakers include false colour warnings which provide a clear indication of the exposure of a shot, and the gimbal-like stability offered by the trio of In-Body Image Stabilisation (IBIS), lens IS and Movie Digital IS working together to curb camera shake.

The EOS R6 Mark II can also shoot for longer. “There’s no 30-minute clip limit and the camera stays cooler as a result of better heat efficiency,” John explains. “These improvements open the camera up for longer format content, such as interviews and live events like weddings and music performances. It also has a five-second movie pre-recording function, which is really useful when you’re filming unpredictable subjects.

“In addition to saving 4K 60p internally, the EOS R6 Mark II is capable of recording 6K in ProRes RAW to an Atomos Ninja V+,” adds John. “There’s also the option of using professional XLR microphones via an optional adapter on the camera’s Multi-function shoe. So the EOS R6 Mark II is a really good option if you need a smaller camera on a multi-cam production. But equally, it gives flexibility and a flavour of high-end full-frame cinema cameras to independent filmmakers.”

British wildlife photographer and vlogger Dani Connor put the

Canon EOS R7 through its paces while

tracking endangered Iberian lynx. The camera’s light weight, vari-angle touchscreen and Eye AF made it easy for her to quickly record video clips of herself while on location. A social media-friendly vertical video recording option is also available.

In addition to a 3.5mm stereo microphone jack and a headphone socket, the

Canon EOS R7 can accept digital mics and XLR microphone adapters for professional audio recording via its Multi-function shoe.

5. Best Canon camera for filming wildlife and sports: Canon EOS R7

An APS-C sensor can be an advantage when shooting subjects that you’re unable to get close to, as the narrow angle of view (compared to a full-frame camera) means that the subject fills more of the shot. “This is why the 1.6x crop of the Canon EOS R7’s 32.5MP CMOS sensor makes the camera well suited to wildlife and sports,” says John. “We’re seeing that wildlife and sports photographers are shooting more video now, and the EOS R7’s power switch allows the camera to be instantly shifted from stills to video, and back again.”

Canon EOS R7

EOS R System technology meets APS-C design, for a hybrid mirrorless camera that’s small, fast and powerful.

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This compact EOS R System camera can even be set to 4K/60p UHD Crop mode, which applies a 1.81x crop to the image. “This gives you extra reach while maintaining the same resolution, so it’s essentially like adding an additional teleconverter,” John points out. As well as offering cropped 4K, the EOS R7 can record standard 4K and ‘Fine’ 4K, which oversamples the 7K sensor output to produce more detailed clips. Full HD at up to 120p gives silky slow-motion playback of fast action.

The EOS R7 features the same sophisticated subject detection and tracking technology as the EOS R3 and EOS R5, so it can keep track of animals and athletes on the move. It also inherits the combined three-way shake reduction of IBIS, lens IS and Movie Digital IS, which combats camera movements to deliver smooth footage – whether you’re tracking a moving subject or filming a vlog handheld.

The
Canon EOS M50 Mark II has evolved according to the demands of its users and, compared to its predecessor, the added functionality makes life much easier for vloggers. Designed for social videos, there’s a menu option for vertical shooting and videos are tagged so that editing programmes can determine the orientation they were shot in.

6.

Best camera for vlogging: Canon EOS M50 Mark II

Vlogging often involves holding the camera at arm’s length, so ideally you want something small and light. “The 24MP APS-C format Canon EOS M50 Mark II weighs just 388g but it has both a built-in viewfinder and a vari-angle touchscreen,” says Mike. “That flip-around screen is essential for vloggers, and the Canon EF-M 11-22mm f/4-5.6 IS STM lens makes a perfect partner when shooting at arm’s length. It is stabilised and has an STM (stepping motor) focusing system to avoid any unwanted sound. Despite its small size, the EOS M50 Mark II has an external mic port, which means you can record high-quality audio when you’re ready to take the next step.

Canon EOS M50 Mark II

Amazing image quality with shallow depth of field and movies that sound as good as they look. The EOS M50 Mark II’s smart tech empowers you to be creative.

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“Canon has added functionality in this second iteration to make life much easier for vloggers,” adds Mike. “The three major advantages of the EOS M50 Mark II over the EOS M50 are improved face and eye tracking autofocus; vertical shooting, which is ideal for platforms such as TikTok, where you still make the most of the 4K resolution; and it now also has the ability to livestream to YouTube.”

Written by Angela Nicholson, Tim Coleman and Marcus Hawkins

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What’s the best kit for filmmaking?

When you’re shooting video, the cameras and lenses have to fit the outlay you have available. Here, we lay out top options for filmmakers on lower, mid-range and higher budgets.

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The Best Canon Video Cameras

From the legacy days of the DSLR to the brand’s newest forays into mirrorless and cinema camera technology, let’s explore some of Canon’s best digital video cameras currently on the market.

While it’s not going to be included as a selection as it’s currently out-of-production, we do have to preface our list by shouting out the Canon 5D, perhaps the most important digital video camera of all time. From its groundbreaking sensor, to its signature Canon color science, the Canon 5D (in particular the mark iii) was a huge camera for all types of filmmakers, photographers, wedding videographers, and content creators of all types.

That being said, we now live in a new age of mirrorless camera technology. And despite a few rough first steps on the behalf of this legacy camera brand, Canon has developed some surprisingly powerful and useful mirrorless video cameras over the past couple of years.

Combined with their high-end cinema camera options which have been used on major blockbusters and by run-and-gun documentarians across the world, there are plenty of options to choose from for any creators looking to invest in a Canon camera.

What makes a great Canon camera?

While the quick answer might simply be: “the color science.” We’re going to need to go a bit more in-depth into what makes these different Canon cameras great — and how they stand apart from each other.

To help us in our test, we’ve actually done a Canon camera comparison showdown of all of our top picks which you can check out below.

As you can see, this camera comparison was meant to really push each of these cameras to the max of their abilities and to test how distinguishable they are to each other. While we’ll go into each option more below, here’s a quick list of the best Canon video cameras which we’ve chosen to feature:

Canon EOS R
Canon EOS R7
Canon EOS R5
Canon C300
Canon C500 mark ii
Canon C70

As part of our comparison test, we chose to highlight several elements of each camera to see if our DP could notice any differences. These features included:

Dynamic range
ISO
Skin tone
Low light capabilities
Color science
Sharpness

We also of course kept our list within reason, only highlighting options which currently retail between $1,000 and $16,000 and reflect the best and most current crop of Canon camera options. Let’s explore each option a bit more in-depth below.

Canon EOS R

One of our first picks for one of the best Canon cameras for video has to be the EOS R. Representing Canon’s first step into mirrorless, the EOS R caused quite a stir when it was first introduced — albeit not always for the best reasons.

However, despite some issues with overheating (which were fixed with some firmware dates for the most part), the EOS R truly represented the dawning of a new age for the traditional DSLR giant. Unlike the 5D which worked best in Full HD, the EOS R also made a focused push for high quality 4K recording with its 30.3MP full-frame CMOS sensor.

That being said, while an important camera (and a great camera for the right hybrid video and photo creatives), it has several other (if not better) options currently at around the same price point.

30.3MP Full-Frame CMOS Sensor
DIGIC 8 Image Processor
UHD 4K30 Video; C-Log & 10-Bit HDMI Out
Dual Pixel CMOS AF, 5655 AF Points
3.69m-Dot OLED Electronic Viewfinder
3.15″ 2.1m-Dot Swivel Touchscreen LCD
Expanded ISO 50-102400, 8 fps Shooting
Wi-Fi and Bluetooth, SD UHS-II Card Slot
Multi-Function Bar, Dual Pixel RAW

Price: $1,799.00

Canon EOS R7

Moving on from the EOS R, Canon released the lightweight RP then eventually the R7 and R5 (more on the R5 below). The R7 in particular is noteworthy for its reduced price from the EOS R, but also with its improved performance — most notably in the realm of video with several items and things which made it a select offering for digital content creators.

If there were a Canon video camera that I were to recommend for someone just getting started in film and video, it would probably have to be this R7 as it has all the best Canon bells-and-whistles like a 32.5MP CMOS image sensor, 4K 10-bit high definition video at up to 60fps, C-Log 3 recording and quite capable screens, slots and functionality.

32.5MP APS-C CMOS Sensor
Dual Pixel CMOS AF II
4K60 10-Bit Video, HDR-PQ & C-Log 3
30 fps E. Shutter, 15 fps Mech. Shutter
2.36m-Dot OLED EVF
1.6m-Dot Vari-Angle Touchscreen LCD
Sensor-Shift 5-Axis Image Stabilization
Dual UHS-II Memory Card Slots
Multi-Function Shoe, Wi-Fi and Bluetooth

Price: $1,499. 00

Also, read more about this may be the perfect new B-cam for your video production in this full review of the Canon EOS R7.

Canon EOS R5

Perhaps now the true flagship of the Canon mirrorless camera line, the EOS R5 is one of the most popular — if not at least most polarizing — camera’s currently on the market. When it was first introduced the R5 turned plenty of heads in the film and video world with early leaks of its 45MP full-frame CMOS sensor and its 8K raw video recording capabilities.

Now that the R5 is out in the wild, it’s truly just as much of a behemoth as promised. Not many cameras (certainly of this size and price point) can pack so much punch. Still, while the 8K raw video is awesome, the R5 is also just as capable recording 4K 10-bit internal video at up to 120fps as well. Making it a strong option for just about any type of video project.

Yet, as we can see in some of the comparisons, all that raw video data can be deceiving great, but it doesn’t quite truly stack up to some of its raw cinematic footage counterparts.

45MP Full-Frame CMOS Sensor
DIGIC X Image Processor
8K30 Raw and 4K120 10-Bit Internal Video
Sensor-Shift 5-Axis Image Stabilization
12 fps Mech. Shutter, 20 fps E. Shutter
Dual Pixel CMOS AF II with 1053 Points
0.5″ 5.76m-Dot OLED EVF
3.2″ Vari-Angle Touchscreen LCD
Subject Tracking with Deep Learning
CFexpress & SD UHS-II Memory Card Slots

Price: $3,899.00

Canon C300

Moving on to some of our top picks for the best Canon cinema cameras we have to of course start with the Canon EOS C300. Originally designed as a way to take Canon’s legendary DSLR model to that next cinematic level, the Canon C300 has gone one to become one of the best, and most durable, cinema cameras on the market.

With a Super 35mm CMOS sensor, this original C300 (which later gave way to the mk ii and mk iii versions) was really designed for capturing the highest quality images in motion tailored to stand up for the rigorous of high-end post-production.

While the C300 has several updates, plus other even higher-end options like the C500 (more on this one below) and the C700, this original C300 is a great option if you can find it used and a perfect fit for a documentary-style videographer looking for that quality Canon cinema quality.

Super 35mm-Size CMOS Sensor
EF Lens Mount for Broad Compatibility
Canon XF Codec – 4:2:2 50 Mb/s MPEG-2
1920 x 1080i60 & True 24p Recording
Rotating 4″, 1.23 Mp LCD Monitor
HD-SDI Output, XLR Inputs
Dual CF Card Slots
Timecode I/O, Genlock In & Sync Out
Canon Log Gamma
Modular Design: Removable Grip & Monitor

Price: $2,794. 50 (used)

Canon C500 mark ii

One of our most favorite cameras at Soundstripe, the Canon EOS C500 mark ii is a 5.9K full-frame powerhouse that is about as versatile as they come. You can shoot YouTube videos with the C500 (as we do) or you can shoot indie features or full–blown blockbusters with the camera — it’s really up to you.

With a 18.29MP full-frame CMOS sensor you get 5.9K output in full frame and can crop the sensor for Super 35 and Super 16 frame size modes while still maintaining a high resolution. The mark ii can also be equipped with different mounts outside of its Canon EF mount and boasts 15 stops of dynamic range with Dual Pixel autofocus support.

While we’re pushing the limits of our $1,000 to $16,000 price range, the C500 mk ii deserves to be included on our list even with its price as it still compares quite favorably to the true $50,000+ Sony and Alexa options you might find on the biggest productions.

Full-Frame CMOS Sensor, DIG!C DV 7 Chip
Full-Frame, Super 35, and Super 16 Modes
DCI 4K/2K, UHD 4K, and HD Modes
User-Changeable Lens Mounts
Dual Pixel CMOS AF
Internal Canon RAW Light Recording
Internal XF-AVC Recording
2 x CFexpress Card Slots, SD Card Slot
Canon Log 2 and Log 3 Gamma
4-Channel Audio Recording

Price: $15,999.00

Canon C70

Finally, to round out our list we’re actually taking a step backwards and looking at a camera that attempts (quite well in fact) to combine the best of the mirrorless and cinema camera worlds. The Canon EOS C70 Cinema Camera might be the true current champ for the best Canon video camera due to its high performance, durability and flexibility, and unmatched quality for its price point.

With a Super35 DGO (Dual Grain Output) sensor which can capture 16+ stops of dynamic range and record up to DCI 4K at 60p (plus Hi-Speed UHD 4K at 120p), the C70 gives true cinema quality video at a fraction of the cost of your higher end options.

If you’ve ever shot with a Canon camera before (like the aforementioned Canon 5D or 7D for example) and want to feel safe with a new, higher-quality Canon that still has that great durability and color science, the C70 with its Canon Log 2, 3, and HDR recording will truly be your best bet.

Super35 Dual Gain Output (DGO) Sensor
DCI 4K 60p, Hi-Speed UHD 4K 120p/2K 180p
Canon Log 2, 3, PQ & HLG HDR Recording
RF Lens Mount / EF Mount with Adapter
DIG!C DV7 Image Processor
16+ Stops of Total Dynamic Range
Built-In ND Filters / Auto ISO & Gain
Dual Pixel CMOS AF & EOS iTR AF X
1 BNC Timecode / 2 Mini-XLR Audio Inputs
Dual SD Card Slots, LUT/Long GOP Support

Price: $5,499. 00

Further reading

These are just some of our current favorite Canon cameras which we chose to highlight for any documentarians, filmmakers, or miscellaneous videographers. But the true test might come down to other factors.

After all, there are many basic camcorder options with crazy optical zoom and great low light capability, however the true test of an image sensor is how a camera can deliver that high definition image to your computer.

And just how much you can search to change that image in your edit in a way which can truly make a difference between some regular store-bought CMOS image sensor camera a quality high-definition camera with great image stabilization and low light capability.

Be sure to check out our best libraries of royalty-free music, as well as plenty of other buying guides and camera breakdowns with these additional articles from the Soundstripe blog:

Choosing the Best Camera for YouTube
The 7 Best Cinema Cameras for Video Professionals
Breaking Down the Cameras from SXSW Film 2022
The Top 10 Cameras for New Video Production Companies
The 7 Best Cameras for Music Videos (Plus Helpful Shooting Tips)

Best Canon Video Cameras

Best Canon Video Cameras – Canon Europe

VIDEO

From the full-featured EOS R5 C to the compact EOS M50 Mark II, Canon experts and filmmakers talk about the best mirrorless cameras for shooting video.

With Canon’s 8K recording capabilities, unlimited shooting time and compact design
The EOS R5 C is one of the Canon cameras selected by Canon experts and professional videographers as the best for shooting video.

What are the best Canon cameras for filming? In the past, shooting video required a dedicated camcorder, but all current models in the Canon EOS and PowerShot range support high-quality video recording along with stunning photos. In this regard, more photographers are successfully trying their hand at creating videos, and videographers are finding new creative opportunities using mirrorless cameras, as well as compact devices as backup cameras.

In this article, we’ll take a look at the best Canon cameras for creating different types of video footage, with advice from Mike Burnhill and Aron Randhava, Canon Europe’s Product Specialists, as well as several professional Canon photographers.

“Choosing a camera is not an easy task, but the first thing you need to think about is how you will use the video function,” says Mike. “The 8K capabilities on the Canon EOS R5 C and EOS R5 cameras, for example, may grab your attention, but it’s important to remember that working with this format requires the use of large storage drives as well as a powerful computer for editing. If you want to create short social media videos, 4K is more than enough. However, shooting at higher resolutions gives you the freedom to compose your Full HD output in post-production, avoiding re-shooting the same scene.

“If you’re an experienced videographer, you should also consider a Canon Log-enabled camera, as this mode allows you to create freely color-graded files that are easy to match with files from other cameras, including models in the Cinema EOS line,” continues Mike. “But if you’re just getting started in the industry, or if speed is important to you, you might be interested in creating video footage with preset picture styles.”

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With these factors in mind, we’ve rounded up the best Canon cameras for shooting video. Here you will find the best option for photographers and beginners who want to try their hand at video shooting, as well as professional videographers who are looking for a second video camera.

The Canon EOS R5 C has the same 8K image sensor as the EOS R5, but offers a range of advanced movie-making features. “You can shoot 8K 30p internally (60p with external power) as well as use convenient formats like the reliable XF-AVC or three flavors of 12-bit Cinema RAW Light: LT (Light), ST (Standard) and HQ (high quality),” says Aron.

1. Best camera for advanced videographers: Canon EOS R5 C

“The Canon EOS R5 C is a video-centric version of the EOS R5 that adds extra features for professional filmmaking,” says Aron. “They are similar in terms of ergonomics, but the EOS R5 C supports long video recording in any mode. And thanks to the full functionality of the movie camera, it has no restrictions on the duration of the recording.

The EOS R5 C has a three-position power switch for selecting between still and video modes. There are many options available in movie mode that mirrorless cameras don’t normally have: you can import your own LUTs, select a 180° shutter angle, and take advantage of tools like the video signal monitor and false colors. There’s a recording indicator on the front panel, and a timecode I/O port helps you synchronize footage from multiple cameras. What’s more, by attaching the TASCAM CA-XLR2d XLR Audio Adapter to the multifunctional accessory tray, you can use XLR audio devices.